With the
one-click simplicity of Flickr and Facebook, Instagram and Twitter, recording our memories
has never been easier. But with such ease has come overload. More than seven
billion photos are added to Facebook every month, while 100 hours of video are uploaded to
YouTube every minute. We are drowning in a sea of hastily snapped images, our
entire existence flattened into a scrolling feed of frozen frames."We take
pictures of everything and load it all online, to the point where it is all
infinitely replicable and disposable," says designer Amy Radcliffe, whose MA project at
Central Saint Martin’s set out to bring a more meaningful sensory dimension to
storing our favourite memories. What if you could recapture the aroma of that
freshly baked birthday cake or the scent of the wild flowers in that Alpine
meadow on your last holiday? Or maybe you would choose to recall the musky pong
of your first pet, or the comforting whiff of that shampoo your girlfriend used
to use? The Madeleine – named after Marcel Proust's story of involuntary memory prompted by biting
into a cake – is Radcliffe's
design for a new kind of camera that records not images, but smells.
"Sense of smell has a direct link to emotional memory," she says.
"It is the sense we react to most instinctively and the furthest away from
being stored or replicated digitally."Her project, developed in the
college's Textile Futures department, draws on "headspace
capture" techniques pioneered in the 1970s by Swiss fragrance chemist Roman Kaiser, for obtaining the
composition of rare botanical scents for the perfume industry. Radcliffe's
"scentography" camera has a retro-futuristic form, referencing both
this 70s heritage and our growing nostalgia in photography – embodied by clunky Lomo cameras and wistful Instagram filters. With
its faceted ceramic casing, glass funnel and plastic tubes, it also looks like
a mysterious piece of scientific apparatus. So how does it work to make it work, you place the funnel over the object or environment
you wish to capture, then a pump sucks the air across an odour trap made of
Tenax – a porous polymer resin which adsorbs the volatile particles that make
up the smell. It can take anything from a few minutes to capture the scent of
fresh strawberries, to around 24 hours to store the more subtle aroma of an
atmosphere. "It's like a huge electric nose.
It processes the particles and produces a graph-like formula that makes up the
smell. From this formula you can artificially recreate the precise odour,"
she said. Users can take their exposed odour traps to the local lab in the same
way they would take a 35mm film to be processed - the product being not photos,
but delicate vials of the scent, along with a bronze disk of the specific
formula, bringing a precious, ritualistic quality to the process. With the
addition of smell and sound (like in the Samsung Galaxy S IV) is there a
revolutionary change to photography? The memories will now be re-lived!
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